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Avapond is a Bristol consultancy for founders and growing businesses. We work backwards from the goal you want to hit, find out what's actually in the way, and build what you need to get there.

A Bristol consultancy for founders and growing businesses. We work backwards from your goal and clear what's in the way.

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Blog 6 min read

Seriously, know your audience: Bristol's AI mural disaster

Last week, the Jolly Colliers on West Street in Bedminster got a new mural. A big, bright vinyl one of Bristol, with hot air balloons, the Suspension Bridge, a Banksy, and the SS Great Britain. All made with AI. Within days, it was gone.

Contents

The mural was just… wrong

I love Bristol. Having moved from London six years ago, this city is now more than just my home. It's filled with creativity, vibe, culture and community. And I can tell you one thing: AI? Not overly popular here.

But it’s not just because it is AI-generated. The mural was just horribly incorrect.

Cabot Tower is Canada’s version. Banksy's Mild Mild West (a teddy bear lobbing a petrol bomb at riot police) had turned into a man pointing at something. And the SS Great Britain looked like it spent its days towing bigger boats around the harbour.

Many artists from the Bristol Mural Collective weren’t impressed. Caroline Maggs said "AI designs not only devalue but undermine the work of artists." Emily Tuffen called it "a slap in the face". Nina Raines went with "visually naff", which is hard to argue with. Someone even taped an anonymous letter underneath, calling it "a disrespectful affront to this city".

Punch Taverns, who own the pub, said it was only temporary. The wall needs repairs, so a proper painted mural wasn't possible yet. Fair enough (if that is in fact, true). They've taken it down and promised to work with local artists on a permanent one.

They forgot who'd be looking

This is the bit that gets us. Bedminster is home to Upfest, one of Europe's biggest street art festival. Some of the best street artists around have painted its walls (I've even been lucky enough to meet a couple of them). Bristol's full of artists, writers, poets, musicians, and people who make things for a living.

And someone put up an AI mural. On their street. Of their city.

Even if all of the details in the mural were correct, it would still have gone down badly. For a lot of the people walking past, AI art threatens how they pay the rent. Seeing it on their local pub felt like being told their work doesn't matter. That's what Caroline Maggs meant when she called it "political".

The mistakes just made it easier to laugh at.

Stick the same thing on a wall at a motorway services and we probably wouldn’t have seen such a strong reaction. It became a story because of where it went up and who saw it.

So before you decide how to make something (AI, a freelancer, your nephew with Canva), work out who's going to see it and how they'll feel about the way you made it.

They forgot their own values

Here's the awkward bit for Punch. Read their website and community comes up again and again. Their pubs are "the community's pulse". The money they spend goes on "boosting local suppliers". And, in their own words: "Everything we do involves the community, that's mainly why we operate."

A local artist is a local supplier. Bedminster has plenty of them. Maggs said the collective was "saddened and angered" that the pub didn't choose "to support handmade work".

We doubt anyone at Punch set out to snub the neighbourhood. More likely, someone needed a quick fix for a tatty wall, and nobody stopped to ask whether it matched what the company says it stands for.

That's the trap. Values tend to get checked on the big stuff, like a rebrand or a campaign launch. The small, quick decisions slip through. And those are often the ones people actually see.

Using AI can do more harm to your brand than good

Bristol's reaction isn't a one-off. Most of these studies are from the US, but the NIM one covers the UK, too.

  • Advertisers misread people. In IAB's latest survey, 82% of ad executives thought Gen Z and Millennial consumers felt positive about AI ads. Only 45% did, and that gap grew by five points in a year.
  • The word "AI" puts people off. A Washington State University study of more than 1,000 US adults found that "AI" in a product description made people less likely to buy. Lead researcher Mesut Cicek put it down to lower "emotional trust".
  • Labels change how people see the same ad. The Nuremberg Institute for Market Decisions showed people identical ads, some labelled as AI-generated. The labelled ones came across as less natural and less useful. They did better for high-tech products and worse for traditional ones, and a local pub is about as traditional as it gets.

Big brands get caught out, too. McDonald's Netherlands pulled its AI Christmas ad within days last December, after people called it "creepy" and "inauthentic".

It comes back to the saying “just because you can, doesn’t mean you should”. It’s important to ask why you’re doing something and who for. Even if it is for something as simple as a mural.

What can we learn from this?

People check the details. Locals know what the SS Great Britain looks like. Getting it wrong tells them nobody from around here looked at it before it went up. If you're using AI, get someone who knows your audience to check it.

Your audience is everyone who sees it. The regulars might not have minded. But neighbours, artists, and the local paper walk past that wall, too. Anything you put out in public is marketing, whether you meant it to be or not.

Temporary still counts. Punch had an arguably good reason. Nobody walking down West Street knew that, though. They just saw the wall.

Quick fixes can cost you. They looked for a cheap and quick alternative. But by ‘cutting corners’, they might now lose valuable customers and revenue. Quite the gut punch.

How you respond matters. Punch listened, took it down fast, and promised to bring in local artists. Hopefully, that's the part people remember. The best thing they can do now is say sorry. (We wrote a blog around this.) And even give something back to the community, say by raising money for local artists.

Take the time to think

All of this could have been avoided if someone took a moment to think things through. We know it wasn't malicious. Nobody sat down and decided to upset Bristol's artists. That decision needed five minutes of thought, and it doesn't look like it got them. (That’s why we ‘dare to think’.)

So, before doing anything, ask yourself:

  • Who's going to see this? (Not just who'll buy it.)
  • What do they know that we don't?
  • What would make them feel it wasn't made for them?
  • Has someone from that audience checked it?
  • Would we be happy seeing it in the local paper?

It's how we work with clients, too. Start with what you want to happen, then find what's in the way. Sometimes that's a whole landmark in the wrong country.

Talk to us

It's easy for us to sit back and laugh, but this kind of thing happens all the time. People are busy with a million and one things on their plates. Which is why we're around. We look at your business with fresh eyes, so if you fancy a chat, get in touch.